Push & Pull, Stroke & Stab
Goodspace, Sydney
December 2021
A large, wide brush taped to a long cane, used by Luke for many of his action paintings. The brush is clean but stained with blue paint.
A medium sized, tapered brush, used by Luke for his dabbing technique, the brush is mounted on the gallery wall.
Luke Adballah and facilitators Zac Fenn & Sudheera Dissanayake pose in front of Luke's works hanging in Goodscape.
Luke Adballah and facilitators Zac Fenn & Sudheera Dissanayake pose in front of Luke's works hanging in Goodscape.
Luke Abdallah touches his work Glacier, mounted alongside its series.
A close up shot of Luke touching Glacier - a work from his White Series.
Luke and Zac enjoy the feel of Luke's white series in exhibition.
Luke and Sud navigate Star Road by touch.
Luke, Zac & Sud pose for a photo, crouched beneath Luke's painting Big Bang.
The audience at goodspace stand in front of numerous works and discuss.
Two audience members viewing works hung at Goodspace.
Audience members view Forest Nebula and Star Road.
Zac Fenn and Luke Abdallah speak with a previous facilitator of Luke's and artist Selina Langer.
A close up shot of Luke at his solo exhibition.
Zac and Luke tour the exhibition by touch, in this image, they are feeling Pause, Yellow.
Luke and Zac navigating Rough Surface by touch.
An image of the audience gathered at Luke's solo show.
An image of the audience gathered at Luke's solo show.
Sud and audience members discuss How We Fly.
Luke smiling and standing with his Corrugated work.
Luke standing with Zac and a member of the audience, in front of his corrrugated work.
Luke, Zac & Sud stand near Luke's corrugated work and pose for a photo.
Luke, Zac & Sud stand near Luke's corrugated work and chat.
A member of the audience spends time with Luke's White Series.
A member of the audience navigating Luke's White Series by touch.
An image of Luke's audience discussing a selection of works exhibited.
An audience member views Ebony & Ivory, and the cane used to create the work which is installed on the mantlepiece directly below the painting.
A close up image of the white cane and half tennis ball used to create Luke's signature cane painting technique.
An audience member feels the thick texture of Luke's experimental paintings.